Puzzled with what to do with the Photo Booth application that came with my computer when I bought it a year ago, I decided to map my balding. Here is the first annual review.
I am not obsessed with going bald, merely interested in mapping its development.
I long ago gave up the notion that I would ever be able to grow a mohican again.
Waxing Captors replace Pindown in upcoming Antigen Records gig at The Blue Room, McGintys, Ipswich on 5th December with Bring Back Her Head and These Are End Times. More details from http://www.myspace.com/antigenrecords
Went to the excellent Mariscal Drawing Life exhibition at the Design Museum on Friday with Claire, Lindsay and some graphic design students. I typed a lengthy review earlier today that also detailed our visit to Tate Modern to see the disappointing Pop Life exhibition and the interesting John Baldessari Pure Beauty show. Unfortunately I managed to lose it all before I posted it! Hmmm, that'll teach me to type long posts directly into blogger while also uploading photos and creating links. Better to type it in TextEdit and paste it over later. Oh well. You'll have to make do with the links below because I'm not typing it all again. That said, I do want to quote Mariscal, who wrote many things on the walls of the exhibition but this made me smile: "We all want drawings to tickle the eye". I'll second that emotion.
A new book of posters commissioned for the Velvet Underground, one of the most important bands of all time, has just been published by Rizzoli books.
The above reminds me of some drawings I did of friend and colleague Ian Cook's band Crush Deluxe, arguably one of the most important groups to come out of Halesworth, Suffolk, on 24th April 2004.
Just read a great article on Expletive Undeleted eulogizing the merits of Jah Wobble's finest moments with PiL's Metal Box. Also contains my favourite quote of the month "No Wobble - no point". I concur: Expletive Undeleted
I found Expletive Undeleted via the ever excellent Uncarved.org whose latest post features articles from a 1987 edition of the NME on the subject of stealing music in the then newly emerging sample age. It's interesting looking back on a time when bands such as That Petrol Emotion were lambasted by narrow minded journalists for using a drum machine! John Eden, Uncarved's author, talks about how this issue of NME opened his mind to what the possibilities of music could be. Read it here: Uncarved
For me, it was Steinski and The Mass Media's 'And The Motorcade Sped On' that blew me away and opened my mind to future possibilities. It was given away free on a 4 track EP by NME in the same year:
Dublog is Dubdog's sister site and features recent work, interests, observations, musings and throwaway comments by Nigel Ball, a graphic designer and lecturer working out of Ipswich, UK.