Well, here is the annual round up of what I've been listening to this year; be it bought, given or burnt.
It's been a strange but good year musically. Many of my favourite artists released something, and only a few were disappointing. Bonnie 'Prince' Billy's Wolfroy Goes To Town is his best for a while, and Wire still have it—Red Barked Tree hasn't been far from my headphones all year. The critics got it largely right with PJ Harvey, and it was right that she was recognised for such a major work, although I would also have cheered had King Creosote & Jon Hopkins got the Mercury Prize instead. Björk proved she doesn't need app gimmickry to still make compelling music. The Fall and Magazine were both great live, and while I like both of their 2011 albums, neither stand up to what were exhilarating live performances. Tom Waits was Tom Waits and Mogwai were Mogwai—who would want either of them any other way? Beastie Boys made me smile again, that is until I got tired of Hot Sauce after about eight listens. There is enough that is good on Roots Manuva's 4everevolution to tip its balance away from lacklustre. Unfortunately, I found King of Limbs to be a bit featureless with only a few moments of clarity—if only The Daily Mail and Staircase had been included to give it a little more texture. Robert Wyatt got in there during 2011, sort of, with The Unthanks live recording of some of his and Anthony Johnson's work. And lastly for the ancient's, appropriately the album that has tickled my fancy of late is the bizarre folk world of those post-punkers The Mekons with Ancient & Modern.
So, that's the oldies out of the way, many of them making better new music than younger artists. Where are the decent new bands and artists of creative integrity? They are few and far between on my radar, although I'm prepared to believe my modes of delivery may be slightly to blame for me not finding them. There's got to be more life out there!
Of the new acts I did discover, (I'm painfully aware some of these have been around for a while), DELS astounded everyone by not hiding the fact he's from Ipswich and making a truly interesting record; the boy has a bright future. On a guitar kick, Bo Ningen's noise screech, one year old but heard by me for the first time this year on Mark Riley's 6music show, was a trip down memory lane and provided a balance that ideally complimented Iceage's punk thrash. I discovered both bands in the same week and though they were more refreshing than brilliant, they awakened an old aesthetic in me that I'd long ago dismissed no one could do justice to again. Impressed by Warpaint's live Glastonbury set—seen on Freeview, I only go to folk festivals these days—I bought The Fool, but I was disappointed it didn't have the same sonic dynamism of their live performance. However, above and well beyond anything listed so far in this post, the new (to me) artist who knocked me for six this year was Merill Garbus's Tune-Yards. Her far from singular vision that was the album Whokill had me considering influences as wide and disparate as; The Slits, Nina Simone, Pil circa Flowers of Romance, Adam & The Ants, Solex, Vampire Weekend and Polar Bear. All this was forced through a crude fucked up splicing machine, which for me, defined 2011 much better than any other music I heard all year. Here's a sample for the uninitiated:
That said, my favourite album of the year actually came out last year. For some reason I resisted buying it at the time and it took some friends to get it for me as a birthday present this year for me to hear it's brilliance, (thanks to the Allpresses). It is the Tradi-Mods vs Rockers Congotronics compilation where post-rock artists rework and remix tracks by the likes of Konono No1 and Kasai Allstars. I couldn't possibly do justice to the album here, but this clip should go some way to showcasing its unique soundscape. This is a film of a collaborative tour that was thrown up in the wake of Tradi-Mods vs Rockers release:
Kinshasa Superband Promo Reel (english subtitles) from pierre Laffargue on Vimeo.
The list:
Sons of Joy - Sons of Joy EP
Wire - Red Barked Tree
Wire - Strays EP
British Sea Power - Valhalla Dancehall
The Jesus & Mary Chain - Upside Down, The Best of…
Prince - Sign O The Times
Wire - The Ideal Copy
Consolidated - The Myth Of Rock
Akron/Family - S/T II: The Cosmic Birth and Journey of Shinju TNT
The Streets - Computers and Blues
PJ Harvey - Let England Shake
Various - Froots/Folk Against Fascism compilation
Radiohead - The King Of Limbs
Mogwai - Hardcore Will Never Die, But You Will
The Beatles - White Album
Gil Scott-Heron & Jamie xx - We're New Here
King Creosote & Jon Hopkins - Diamond Mine
The Beatles - Abbey Road
Flux of Pink Indians - The Fucking Cunts Treat Us Like Pricks
TV On The Radio - Nine Types Of Light
DELS - Gob
African Head Charge - Voodoo Of The Godsent
Max Romeo & The Upsetters - War Ina Babylon
Gorillaz - The Fall
Kode9 & The Spaceape - Black Sun
Varous - The Ugly Truth About Ipswich
Metronomy - The English Riviera
Magazine - Play.+
Buzzcocks - Spiral Scratch EP
Kate Bush - Hounds of Love
Magazine - Magic, Murder And The Weather
Beastie Boys - Hot Sauce Committee Part Two
Flux Of Pink Indians - Strive To Survive Causing Least Suffering Possible + Neu Smell
Crass - The Crassical Collection: Christ The Album, Yes Sir I Will
Kasai Allstars - Kasai Allstars
Aidan Moffat + The Best-Ofs - How To Get To Heaven From Scotland
Lou Reed - The Raven
Burial - Street Halo EP
DJ Shadow - I Gotta Rokk EP
Lee 'Scratch' Perry - The Return Of Sound System Scratch
Tune-Yards - Whokill
Sons & Daughters - Mirror Mirror
Scientist - Scientist Launches Dubstep Into Outer Space
Warpaint - The Fool, Exquisite Corpse EP
Brian Eno - Drums Between The Bells
Lou Reed - Ecstasy
Velvet Underground - White Light/White Heat
Various - Invasion Of The Mysteron Killer Sounds : 3D Dancehall Digital Dub
Lou Reed - Growing Up In Public
Various - The Wire Tapper 26
Various - Caveat Emptor
Andy Moor and Yannis Kyriakides - Empire Abroad, Surveillance At Home
Various - Tradi-Mods vs Rockers
Little Dragon - Ritual Union
Steve Mason & Dennis Bovell - Ghosts Outside
Public Image Ltd. – Plastic Box
Gang Of Four – Content
The Who - The Who Sell Out
The Jam - In The City, This Is The Modern World, Setting Sons, Sound Affects, All Mod Cons
King Creosote - Bombshell
Captain Beefheart & His Magic Band - Trout Mask Replica
Radiohead - The King of Limbs Remixes
Bjork - Homogenic
Pete and the Pirates - One Thousand Pictures
Iceage - New Brigade
Bo Ningen - Bo Ningen
Half Man Half Biscuit - 90 Bisodol (Crimond)
Thee Oh Sees - Castlemania
Roots Manuva - 4everevolution
Magazine - No Thyself
Björk - Biophilia
Jeffrey Lewis – A Turn In The Dream-Songs
Bonnie 'Prince' Billy – Wolfroy Goes To Town
Tom Waits – Bad As Me
Lou Reed – Take No Prisoners
Iggy Pop – TV Eye
Nick Cave – Kicking Against The Pricks
Dave and Ansel Collins – Double Barrel
The Stranglers – X Cert
Scott Walker and The Walker Brothers – The Best of
Kate Bush - 50 Words For Snow
Gillian Welsh - The Harrow and The Harvest
The Mekons - Ancient & Modern 1911-2011
The Fall - Ersatz GB
The Unthanks - Diversions, Vol 1: The Songs of Robert Wyatt and Antony & The Johnsons
Low – C'mon
Sugar Minott – Reggae Anthology: Hard Time Pressure
Sons of Joy – Songs of Joy
King Midas Sound – Without You
Mark Stewart – Nothing Is Sacred
The Kinks – The Kink Kontroversy
The Pioneers – Long Shot
Jello Biafra And The Guantanamo School Of Medicine – Enhanced Methods Of Questioning
Tune-Yards – Bird-Brains
1 comment:
Really not sure what's happened with the formatting of this post.
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